Reporting On Reservations: Native News Sends Students Into The Field

Landscape photo with a sign in the foreground that reads "Welcome to Blackfeet Indian Country."
J-school students divide into teams and travel to visit different reservations across the state. Photo by Courtney Gerard.

After weeks of planning and preparation, UM journalism students in the class Native News are spending spring break reporting on their stories. The students work in teams of two that pair photojournalists with print reporters to create a complete multimedia story.

With the upcoming presidential election in November, Native News professors Jeremy Lurgio and Jason Begay decided this year’s project should focus on politics. “The President has a lot of influence over Indian country,” Begay said.

Yet Begay said the theme is not just about seeing how people on reservations vote. He posed the question, “What do they consider when thinking about politics?”

“Voting on reservations tends to be less bipartisan, especially when it comes to internal politics,” Lurgio said.

However, the reporting teams have chosen stories that dig into the specific political issues that impact their designated reservations, instead of covering the national influence. The students reporting on the Crow Reservation recently followed tribal leader Darrin Old Coyote to the 2016 Montana Energy Convention in Billings to hear him speak about how coal affected jobs on his reservation.

On Fort Belknap, Sophie Tsairis and Lenny Peppers are investigating access to voting and the satellite voting offices on the reservation. Tsairis has been posting reporting updates from Fort Belknap on Instagram.

On the Blackfeet Reservation, Courtney Gerard and Peter Friesen are digging into constitution reform. However, their trip also aligns with the arrival of 88 bison from Elk Island in Canada returning to the reservation, as part of a cultural and ecological relocation effort. To see live updates from the Blackfeet, follow Gerard’s posts on Instagram.

When the students return from the reservations, the pairs will start synthesizing their individual stories into a collaborative, multimedia piece. The final projects from each team will appear on the Native News website in May and circulate the state in the annual print edition.

Native News photographer Sophie Tsairis lays in the middle of a deserted highway to snap a photo of the landscape.
Native News photographer Sophie Tsairis tries to find the best angle to capture a spectacular landscape to illustrate her story. Photo by Lenny Peppers .

To catch the latest updates from the Native News reporting teams, follow their accounts on Facebook, Instagram and Twitter.

By Jana Wiegand

Two grad students win fellowships to report from Crown of the Continent

Logo for the Crown of the Continent Reporting Project
The Crown Reporting Project sponsors students at the University of Montana to produce stories about the environment in the Crown of the Continent region.

For the second year in a row, two journalism master’s students from the University of Montana will head into the Crown of the Continent, to report in-depth, unique stories about the landscape and the people who live there. The 2016 Crown Reporting Project Fellows are Nicky Ouellet and Katy Spence. Spence will report on the role of beavers in helping to deal with climate change, while Ouellet will look at how decisions made by forest supervisors affect individuals and communities that depend on the Crown’s forest products for their livelihoods.

Both fellows are graduate students in the University of Montana’s Master’s program in Environmental Science and Natural Resource Journalism. A native of the Kansas, Spence hopes her outsider’s perspective will allow her to approach her story with few preconceptions or biases. “So many people are excited about the possibility of using beavers as a natural water mitigation strategy, but just as many think of them as pests,” she said.

Ouellet’s journey took her from New Hampshire, where she grew up, to Ohio, Russia and the Pine Ridge Indian Reservation before she enrolled at UM. She’s currently completing her master’s work on Native American natural resource management. “The Crown Fellowship means I get to spend time with a mycologist chasing down people in the forest and speak with them about what this really unique place means,” she said. “It’s almost an excuse to go camping, learn about the ecology and economy of mushrooms and meet really interesting people – all to produce some great radio that will hopefully connect listeners with a place I love so much.”

head shots of Nicky Ouellet and Katy Spence

Through the Crown Reporting Project, both students will be matched with seasoned journalism professionals who will guide them as they report, produce and pitch their work. In telling her story, Spence plans to combine photography and writing skills she’s cultivated since her time at Truman State University, where she earned a B.A. in English with minors in Biology and Photography. “This story is important for the landscape and for the people within it, and working with a professional journalist to develop it may be the most important journalistic opportunity I’ve ever had,” she said. “I can’t wait to start reporting!”

Ouellet is gearing up to telling her story as a radio piece. She recently won Best in Festival in the student news competition for the Broadcast Education Association’s Festival of Media Arts, for “An ‘80s Cover Band With Global Dreams.” “The Crown Fellowship is the biggest opportunity this school has to chase down an in-depth story about how people are connected to landscapes,” she said. “And I’m really excited to do that in radio because that takes a lot of time – you have to be there to capture the voices of the people – and this fellowship really makes that possible.”

The Crown Reporting Project was inspired by Ted Smith, a pioneer of large-landscape conservation and lover of the Crown. In 2015, graduate students Ken Rand and Celia Talbot Tobin worked with Chris Joyce, of National Public Radio, and Ted Alvarez, of Grist and Backpacker Magazine, to report stories on aquatic invasive species and mining waste.

By Henriette Lowisch

Nick Ut Reflects On His Career: From Hell To Hollywood

When airplanes flew low over Nick Ut’s home in Los Angeles, California, his house shook and reminded him of the Vietnam War. Born in Long An, Vietnam, Ut started working for the Associated Press (AP) when he was 16 years old, following in the footsteps of his older brother who had recently died while on assignment in 1965. Ut inherited his brother’s cameras and taught himself photography by working in the AP’s darkroom and shooting protests in Saigon.

His editors’ quickly recognized Ut’s skill and sent him into the field to cover the Vietnam War. Ut’s brother’s voice echoed in his head. “I make a picture for you, my brother, to change the war,” Ut said.

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Nick Ut checks the screen as his photos scroll by in front of a large audience at the University of Montana. Photo by Alyssa Rabil.

Ut spoke at the University of Montana on March 9, as part of the 100-year anniversary of the Pulitzer Prize and to celebrate his 50 years working for the AP. In 1973, just 21 years old, Ut won the Pulitzer Prize for Spot News Photography. He called the picture “The Terror of War,” but others referred to it as “The Napalm Girl.” Dean of the School of Journalism, Larry Abramson, walked past that picture dozens of times, printed on flyers, in the weeks leading up to Ut’s visit. “Even on the Xerox copy, I’d stop and see something new every day,” Abramson said.

The picture features children running down a road in Trang Bang, Vietnam after a napalm attack on the village. The “Napalm Girl” was Phan Thj Kim Phuc, who ran away from the village, arms outstretched and completely naked. Ut shot several frames of her and the other children fleeing before he understood how badly Phuc had been burned by the attack.

“I saw skin coming off her body,” Ut said. “And I thought, oh my God, I don’t want her to die.”

Ut set his cameras aside and started dumping water on Phuc to try and help her. However, he knew that Phuc and the other children needed professional help, so he transported them in the AP van to the nearest hospital. Since then, Ut said, “I keep looking to help the children.”

He’s sent food and clothing to families in Vietnam impacted by the use of Agent Orange, and he’s kept track of Phuc since the day of the attack on June 8th, 1972. Phuc began to refer to Ut as “Uncle Nick” over the years, as he continued to photograph her skin’s recovery and support her as a current U.N. Goodwill Ambassador. Thanks to Ut’s photos, the two have also spoken to media around the world about the cruelties of war. Ut said, “We met the Queen of England, me and her.”

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Sally Stapelton alerted faculty to Ut’s upcoming birthday. J-school faculty and students celebrated with him after class. Photo by Brontë Wittpenn.

Pollner Professor, Sally Stapleton, and Ut’s friend from their shared time at the AP, said, “He takes ‘No means nothing’ better than anyone I know.”

Ut said he’s “always with camera” to be prepared for unexpected stories. In contrast to his time covering war stories, Ut said, “I tell you, Hollywood, it’s a lot of fun.” Now based in Los Angeles, Ut’s shot court cases involving Michael Jackson, Lindsay Lohan and Paris Hilton. He also captured the “Super Blood Moon” of 2015 and unexpected L.A.P.D. street arrests.

For the UM journalism students in the audience, Ut said the key to a great photo evolves from four elements: keep moving, try different angles, keep shooting and capture different emotions.

The next pressing assignment for Ut will be covering Nancy Reagan’s funeral Friday, March 12th.

Stay up-to-date with Ut’s work by following his Twitter and Instagram accounts.

by Jana Wiegand