Award-Winning Documentary Director, Chad A. Stevens, Speaks At J-School

Chad A. Stevens, director of the documentary “Overburden,” tried out two other titles for his film before settling on the third. Appropriately, Stevens’ presentation at the UM School of Journalism on Wednesday, February 24th, also came with three potential titles: “The Life, Death & Afterlife of a Documentary,” “How in the World did I Survive this Thing?” and “Thank God for Talented Friends and Box Wine.”

“Overburden” played at the Wilma Theater as part of the 2016 Big Sky Documentary Film Festival later that same day. The film follows two women in the heart of Appalachian coal country and their fight to save Coal River Mountain from the Massey Energy Company after an underground fire kills 29 miners.

Stevens said the first iteration of this project began while he was working on his master’s thesis at Ohio University. However, his moment of inspiration began several years earlier, in 2003, during his time as a photojournalist-in-residence at Western Kentucky University. One day, Stevens and a friend were driving through the hills when they crested a ridge and Stevens got his first look at a mountain top removal site. “There was a shocking amount of destruction,” he said.

Chad A. Stevens speaks to the audience a screening of “Overburden” in Boulder, Colorado.
Chad A. Stevens speaks to the audience a screening of “Overburden” in Boulder, Colorado. Photo by Erin Hull.

Originally Stevens focused on the environmental aspects of coal mining. He photographed events at the Mountain Justice summer convergence and followed the activists who chained themselves to bulldozers at the top of Coal River Mountain. Yet Stevens realized that this story lacked the intimacy to connect with a broader audience. He looked to the valley where people lived right below the mining sites, whose blasts shook their homes’ foundations.

“I started to have this idea that maybe it could be more,” Stevens said. “I was like, 100% heart. I have to do this no matter what.”

It took Stevens about two years to gain the trust of one of his main characters, Lorelei Scarbro, who had seen plenty of journalists disappear after getting their pictures and quotes from the community. Yet Stevens referred to time as a gift and said it allowed him to understand what mattered most to Scarbro and her battle against coal.

“I was so damn stubborn and wouldn’t leave,” Stevens said, and his patience paid off. “To be there when her grandson was born—that never would’ve never happened without that time.”

One of the project’s major turning points came on April 5th, 2010, when a methane leak and an errant spark caused an explosion in the nearby Upper Big Branch mine.

“As you can imagine, that deeply impacted the community,” Stevens said. “And of course, it changed the film as well.”

A second main character emerged—a pro-coal activist whose brother died in the explosion and spurred her to join Scarbro’s fight.

Stevens also realized that the film’s central theme switched from an environmental perspective to more economy-based story, which explored how extraction-based economies limit local communities.

During the production process, Stevens licensed some of his footage and sold it to organizations that were working on tangential stories, as long as he knew they wouldn’t overlap with “Overburden.”

“I actually paid an editor to edit my film because I felt too close to it,” Stevens said.

Looking back on this ten-year project, Stevens reminded the room full of UM Journalism students about the importance of reaching out to others for help and the importance of remaining humble, because “it’s always bigger than just us.”

Stevens also spoke of the potential that comes from “opportunity blindness.” He said, “When you first start off, there’s no way to know what doors will open down the road. You just got to put it out there.”

While funding such projects remains a challenge for today’s journalists, one of Stevens’ teachers once told him, “Sometimes you do what you gotta do to feed your belly. And sometimes you do what you gotta do to feed your soul.”

Now a tenured professor at the School of Journalism and Mass Communication at the University of North Carolina in Chapel Hill, Stevens has his own mantra for students to learn.

“It’s all about collaboration and community,” Stevens said. “When we care, we as the story-tellers care, that care transfers.”

 

“Overburden” is currently available for rent on iTunes, Amazon, Google Play and Vudu. Check the film’s website or follow its Facebook or Twitter accounts for details about upcoming screenings.

To learn more about UM J-school affiliates reporting on coal communities in Montana, check out second-year graduate student, Andrew Graham’s contributions to National Geographic’s blog The Great Energy Challenge, and adjunct professor, Matthew Frank’s publications on Mountain West News.

By Jana Wiegand

Preview: UM J-School at the Big Sky Documentary Film Festival

The 13th Annual Big Sky Documentary Film Festival (BSDFF) kicks off in Missoula on Friday, February 19th and runs through Sunday, February 28th. This year’s theme revolves around “impact.” Executive Director of the Big Sky Film Institute, Gita Saedi Kiely, describes this topic as a lens to examine “the impact of the stories we tell, the impact we have on the planet and the impact we can have on society.”

Big Sky Doc Film Fest logoOver 200 independent films will be showcased during the 10-day festival, and the University of Montana serves as more than just a sponsor for the event. Dean of the UM School of Journalism, Larry Abramson, is one of 12 members of the festival jury. “It’s my first time judging the Big Sky,” Abramson said. “I’m going to try to watch as a regular person, and then look at what makes them compelling and their journalistic sensibility.”

The jury will chose the winning films based on four different categories: Best Feature, Best Short, Best Mini, and the Big Sky Award, which specifically deals with films about the American West. Abramson’s thirty years as a reporter and editor at National Public Radio will help him evaluate the sense of balance and fairness in the films, “to make sure they back up what they say,” he said.

Abramson will also be leading a workshop for high school journalism students on Friday, February 26th. He plans to talk to the students about interviewing skills, including the importance of using their questions as a story arc for the interview. “A lot of kids that age are afraid to talk to important people,” Abramson said. He hopes this workshop will give these budding journalists more confidence.

UM will also be hosting a series of workshops in the University Center as part of the festival’s DocShop conference. In keeping with the theme of “impact,” DocShop will focus on FILMS FOR CHANGE and explore the power of documentaries and media activism to serve as catalysts for positive change. All of the workshops will be free to students and faculty at UM, as well those from MSU.

Keep following the blog on the UM School of Journalism’s website for more updates on their involvement at the festival.

To view the complete schedule of events, film trailers and other additional information, visit

the 2016 Big Sky Documentary Film Festival’s website.

By Jana Wiegand

Alum Alexandra Schwier Brings Journalism to Albania

At eight o’clock on a Thursday evening, Alexandra Schwier is building a fire in her home in Kukes, Albania. She’s been serving in the Peace Corps there for almost 11 months now, and her DLSR camera has come along for the ride. “I usually have my camera wherever I am,” Schwier said. “You start to pick up an ear for things, and think, hey, that would make a great sound bite.”

Schwier takes pictures during a recycling event in Kukes, where she is currently living.
Schwier takes pictures during a recycling event in Kukes, where she is currently living.

So far, Schwier’s documented traditional Albanian dances, a youth environmental outreach program called Outdoor Ambassadors and a local Cardboard Challenge based off of the premise of Cain’s Arcade, which originated in California.

However, Schwier’s also teaching what she knows about journalism to Albanian youth in her village and letting them experiment with video equipment to tell stories that they find important. Outside of her own initiatives, the U.S. Embassy also invited Schwier to the capital in Tirana to talk with journalism students about reporting ethics.

When Schwier graduated from the University of Montana in December 2012, she hadn’t planned on entering the Peace Corps. During school she worked at KPAX-TV in Missoula as a reporter and web producer, where she gained hands-on experience from the techniques she learned in the classroom.

Photo of Schwier after winning the Fox News Award
Schwier won the Fox News Award in 2012 and flew to New York to accept it.

“One of the things I really loved about the journalism program was that you had to take photo, video and print, regardless of your major,” Schwier said. At first she wasn’t too excited to learn photography, “But I fell in love with it.”

As a double major in Journalism and Spanish, with a Latin American Studies minor, Schwier practiced reporting abroad while on a Political Science trip to Mexico. She produced a video piece called “Breaking down Barriers” about the perceived disparity between Mexico and the United States regarding immigrants and culture. Schwier did all of the production, editing and translation by herself.

Yet, the piece she’s most attached to is video she produced with a fellow journalism student, Kyle Schmauch, about wolf hunting. Schwier called the video “a labor of love” and is proud of the fair representation it gave to both sides of this controversial issue in Montana. As a result, Schwier won the 2012 National Fox News Challenge, which led to an internship with Fox News and later, a job in New York City.

While Schwier was working for Fox News in New York, she also volunteered for an organization called New York Cares. Teaching photography to kids in Brooklyn gave her a satisfaction with which her day job couldn’t compete, so she applied to the Peace Corps.

“Journalism in Albania is more politically driven,” Schwier said. “There’s an agenda for what they’re covering and why.”

But Schwier’s found that people are interested in her projects and also surprised at her attention to their culture—something that they take for granted, but the majority of the outside world knows very little about. Her current projects include a documentary piece about Roma Egyptians in Albania and another video that preserves local memories of communism.

Stay up to date with Schwier’s work by following her vimeo account.