From hunting stories to hunting fossils

Montana Hodges just brought a suitcase full of fossils back from Alaska and wears Tyrannosaurus Rex shaped earrings. This month she is the lead author of a paper in a geology journal about approximately 200 million year old coral reefs. Believe it or not it was journalism, a career singularly obsessed with the here and now, that brought her here.

Montana Hodges unpacks coral reef fossils after a recent trip to Alaska.
Montana Hodges unpacks coral reef fossils after a recent trip to Alaska. Photo by Andrew Graham

Now, she’s pursing a degree in the University of Montana’s Individualized Interdisciplinary Doctoral Program (I.I.P.). As an undergraduate student at Sacramento State she double majored in journalism and geology. Afterwards Hodges entered the graduate program in Environmental Science and Natural Resource Journalism at the University of Montana. Right from the beginning, she knew she wanted to write about fossils for her Masters Project.

Her story, ‘Dinosaur Wars,’ would run on the cover of the August 19, 2013 issue of High Country News, a prestigious environmental news magazine out of Colorado. It described the conflict between for-profit fossil hunters and academic paleontologists. Hodges explored whether this conflict existed to the detriment of the science.

Hodges was nowhere near finished with fossils after receiving her Masters degree however, and decided to pursue an I.I.P. The article didn’t make her the most popular newcomer to the field. “There’s a lot of people in the paleontology community that don’t accept me,” she said.

She’s now studying mass extinctions; points in the Earth’s history where half or more of all living species have been wiped out. Her focus is on an extinction event which occurred around 2 million years ago, probably as a result of global climate change.

In particular, she is studying the massive die off, and eventual recovery, of coral reefs. Her new paper describes coral reef fossils found in Nevada, which was underwater 2 million years ago. They’re the earliest examples of coral’s recovery after the extinction.

Journalism has helped her with her new work Hodges thinks, particularly in her ability to write clear and succinct scientific papers. Though the writing is more technical, she says the foundation remains the same. Her reporting career has also helped. “I think journalists are trained to do excellent research,” she said.

Hodges hopes her current work with coral will eventually lead to a better understanding of the perils coral reefs face today. According to the United Nation’s Intergovernmental Panel on Climate Change, coral reefs face near extinction as a result of warming temperatures.  There is a story of recovery too, says Hodges, and even though it’s a story predicting far into the future, it’s one she’s particularly well equipped to tell.

By Andrew Graham

Senior ESPN Writer comes home

Each semester, the T. Anthony Pollner Distinguished Professorship endowment brings exceptional talent from the working world of journalism to teach a seminar class. This fall semester, ESPN the magazine and ESPN.com Senior Writer Kevin Van Valkenburg is carrying on the tradition; except that he is the first Pollner professor to be returning home, and the first to have known the endowment’s namesake.

Photo of Kevin Van Valkenburg
Kevin Van Valkenburg is a 2000 graduate of the UM School of Journalism.

The program began in 2001, when Anthony Pollner, a graduate and former staff member on the Montana Kaimin, died in a motorcycle accident. Van Valkenburg and Pollner were friends and co-workers at the Kaimin during their shared time at the University.

“Anthony was someone who inspired a lot of us,” Van Valkenburg said.

In addition to being back at the University, town and state that he calls home, Van Valkenburg is excited to pass along his enthusiasm for story telling in all its forms, and inspire the kind of ambitious work he knew Anthony loved.

Professor Henriette Lowisch, who first came to the University as a Pollner Professor, sees Van Valkenburg as a natural continuation to a great tradition. “The idea of the Pollner professorship is to inject the reality of the industry into the J-school,” she said.

Van Valkenburg’s experience with a wide variety of media – radio, website and magazine writing, makes him a real asset to students. “That’s such a unique experience he brings,” she said.

Students in Van Valkenburg’s class are learning the nuances of writing great non-fiction and embracing the challenge inherent in a Pollner Seminar. “Sometimes, from really awful things, can come wonderful things,” said Van Valkenburg.

By Andrew Graham

Ira Glass Teaches J-School Students About Radio

This American Life’s Ira Glass shared words of reporting wisdom with UM students last Saturday.

Glass began his career in public radio in 1978. He began as an intern for NPR and has a wealth of broadcasting experience. Glass has held every production job from tape-cutter to newscast editor before finally settling in as the host and executive producer of This American Life.

Ira Glass shares his broadcast experience with J-School students

 Saturday, Sept. 12, Glass taught a master class for University of Montana School of Journalism students. He began his lecture by saying he was there to “serve” the students and answer any questions they had about the business.

Glass shared clips from his early career when he was at NPR, and admitted some of his own insecurities about being on the air.

“I didn’t like the way I sounded,” Glass said. He explained how he would cut his narration out of his first broadcasts, letting the interviewee tell the story.

Glass used his old clips to illustrate the importance of narration in a radio broadcast. He explained that the script could potentially make or break a show. He also emphasized the importance of good quotes, adding these add intrigue and keep a listener engaged.

Ira Glass speaks to a room full of students and professors.

Students had the opportunity to ask a plethora of questions and Glass was happy to answer all of them. He told students the key to a great show is plot and narrative. He said the key is to keep listeners asking “What’s going to happen next?”

He ended the class by encouraging students to read “Out on the Wire” and offered to buy the book for anyone who was interested. The book is an illustrated guide to making radio shows. Glass collaborated on it, as did many of today’s top radio producers.

By Alyssa Rabil