Award-Winning Documentary Director, Chad A. Stevens, Speaks At J-School

Chad A. Stevens, director of the documentary “Overburden,” tried out two other titles for his film before settling on the third. Appropriately, Stevens’ presentation at the UM School of Journalism on Wednesday, February 24th, also came with three potential titles: “The Life, Death & Afterlife of a Documentary,” “How in the World did I Survive this Thing?” and “Thank God for Talented Friends and Box Wine.”

“Overburden” played at the Wilma Theater as part of the 2016 Big Sky Documentary Film Festival later that same day. The film follows two women in the heart of Appalachian coal country and their fight to save Coal River Mountain from the Massey Energy Company after an underground fire kills 29 miners.

Stevens said the first iteration of this project began while he was working on his master’s thesis at Ohio University. However, his moment of inspiration began several years earlier, in 2003, during his time as a photojournalist-in-residence at Western Kentucky University. One day, Stevens and a friend were driving through the hills when they crested a ridge and Stevens got his first look at a mountain top removal site. “There was a shocking amount of destruction,” he said.

Chad A. Stevens speaks to the audience a screening of “Overburden” in Boulder, Colorado.
Chad A. Stevens speaks to the audience a screening of “Overburden” in Boulder, Colorado. Photo by Erin Hull.

Originally Stevens focused on the environmental aspects of coal mining. He photographed events at the Mountain Justice summer convergence and followed the activists who chained themselves to bulldozers at the top of Coal River Mountain. Yet Stevens realized that this story lacked the intimacy to connect with a broader audience. He looked to the valley where people lived right below the mining sites, whose blasts shook their homes’ foundations.

“I started to have this idea that maybe it could be more,” Stevens said. “I was like, 100% heart. I have to do this no matter what.”

It took Stevens about two years to gain the trust of one of his main characters, Lorelei Scarbro, who had seen plenty of journalists disappear after getting their pictures and quotes from the community. Yet Stevens referred to time as a gift and said it allowed him to understand what mattered most to Scarbro and her battle against coal.

“I was so damn stubborn and wouldn’t leave,” Stevens said, and his patience paid off. “To be there when her grandson was born—that never would’ve never happened without that time.”

One of the project’s major turning points came on April 5th, 2010, when a methane leak and an errant spark caused an explosion in the nearby Upper Big Branch mine.

“As you can imagine, that deeply impacted the community,” Stevens said. “And of course, it changed the film as well.”

A second main character emerged—a pro-coal activist whose brother died in the explosion and spurred her to join Scarbro’s fight.

Stevens also realized that the film’s central theme switched from an environmental perspective to more economy-based story, which explored how extraction-based economies limit local communities.

During the production process, Stevens licensed some of his footage and sold it to organizations that were working on tangential stories, as long as he knew they wouldn’t overlap with “Overburden.”

“I actually paid an editor to edit my film because I felt too close to it,” Stevens said.

Looking back on this ten-year project, Stevens reminded the room full of UM Journalism students about the importance of reaching out to others for help and the importance of remaining humble, because “it’s always bigger than just us.”

Stevens also spoke of the potential that comes from “opportunity blindness.” He said, “When you first start off, there’s no way to know what doors will open down the road. You just got to put it out there.”

While funding such projects remains a challenge for today’s journalists, one of Stevens’ teachers once told him, “Sometimes you do what you gotta do to feed your belly. And sometimes you do what you gotta do to feed your soul.”

Now a tenured professor at the School of Journalism and Mass Communication at the University of North Carolina in Chapel Hill, Stevens has his own mantra for students to learn.

“It’s all about collaboration and community,” Stevens said. “When we care, we as the story-tellers care, that care transfers.”

 

“Overburden” is currently available for rent on iTunes, Amazon, Google Play and Vudu. Check the film’s website or follow its Facebook or Twitter accounts for details about upcoming screenings.

To learn more about UM J-school affiliates reporting on coal communities in Montana, check out second-year graduate student, Andrew Graham’s contributions to National Geographic’s blog The Great Energy Challenge, and adjunct professor, Matthew Frank’s publications on Mountain West News.

By Jana Wiegand

New Pollner Professor, Sally Stapleton, Teaches “The Value of the Moment”

As a third-generation journalist, Sally Stapleton grew up in the newsroom that her father owned in Kennett, Missouri. But her passion for journalism soon mixed with her desire for adventure, and she started working for The Tampa Tribune when she was 24 years old. Since then, her work has taken her to South America and Africa, and now to the University of Montana School of Journalism as the spring 2016 T. Anthony Pollner Distinguished Professor.

photo of Sally Stapletion
Follow Stapleton on twitter: @sestapleton

Stapleton’s theme for her seminar, open to both undergraduate and graduate students, is “The Value of the Moment.” Coming from a full-time job as the managing editor for online and photography at The Day, she’s excited to have this opportunity to immerse herself in teaching. Over the course of the semester students will produce a portfolio of visual narrative stories worthy of publication. Stapleton uses one-on-one meetings with the students to figure out their unique skills and discuss their story ideas. “It’s about figuring out what makes you want to get up at four in the morning,” she said.

The power of photojournalism first hit Stapleton in 1984 when she saw pictures of the Ethiopian famine. Ten years later, she led a team of AP photographers in covering the Rwandan Genocide, an effort for which several members of her team won a Pulitzer Prize in 1995.

“I loved being on the ground and experiencing history right in front of my eyes,” she said.

Stapleton says she also loves stories told by people who stick with a story after it’s left the front page of the news. The biggest challenge for young photojournalists comes from successfully pitching their stories to an editor so that their work can be seen.

“There’s talent everywhere,” Stapleton said. She sees the J-school as part of this unlimited talent pool and also notes, “The facilities are great, the instructors are welcoming, and the minute I crossed the state line I knew this was going to be great.”

“I have good travel karma too,” she added with a laugh.

Whether or not the students have this kind of karma too won’t make or break their journalism careers. Stapleton says the options and opportunities are endless. The key to being a great journalist comes from being honest, trustworthy and keeping one’s work transparent.

Learn more about Stapleton’s recent work in Rwanda at http://www.greatlakesmedia.org

by Jana Wiegand

Wall Street Journal, Bloomberg Journalist to Lecture at UM

Journalist and novelist Ken Wells will deliver the eighth annual Jeff Cole Distinguished Lecture at 7 p.m. Monday, Feb. 29, in the University of Montana School of Law Room 101. The event, hosted by the UM School of Journalism, is free and open to the public.

photo of Ken Wells standing on a mountain edge after a hike.
Wells also dabbles in blues and jazz guitar and songwriting and cooks a mean Cajun gumbo.

The talk, “Not Your Grandpa’s Business News: Confessions of an Accidental Business Journalist,” is part of a series of lectures honoring Jeff Cole, a 1980 UM School of Journalism alumnus who worked as an aerospace editor at The Wall Street Journal and died in a plane crash while on assignment in 2001.

According to the bio on his website (http://bayoubro.com/), Wells grew up in Bayou Black, Louisiana, where his father “was a part-time alligator hunter and snake collector and full-time payroll clerk for a local sugar mill” and his mother was “a homemaker and gumbo chef extraordinaire.” Wells began writing stories for his hometown paper when he was 19 years old and served as editor from 1973 to 1975. After graduating from the master’s program at the University of Missouri School of Journalism, he worked as a reporter for the Miami Herald for four years and was a Pulitzer Prize finalist for his series on how an agribusiness drainage system was destroying the Everglades.

Wells joined The Wall Street Journal in San Francisco in 1982, covering a variety of stories across the West and writing the popular Page 1 “middle column” feature. He transferred to its London branch in 1990 and traveled extensively, reporting on the first Persian Gulf War and nonracial democracy in South Africa. Wells moved to the New York branch in 1993 and worked as both a writer and editor, with two of his reporters winning Pulitzers. While working in New York, he won the American Society of Newspaper Editors’ distinguished headline-writing award in 1994. He joined Bloomberg News in 2009.

Wells also has written five novels about Cajun culture in Louisiana and two nonfiction narratives. He has edited two anthologies of The Wall Street Journal’s front-page stories. He currently serves as an adjunct faculty at Columbia University’s graduate School of Journalism. He received an honorary doctorate from Nicholls State University and an induction as a Louisiana Legend by Louisiana Public Broadcasting in 2009.

In 2015 Wells left Bloomberg News to work on a book about the “social and cultural history of gumbo.” It is scheduled to be published in 2017. To read more about Wells, visit his website at http://bayoubro.com/.

Founded in 1914, the School of Journalism is now in its second century of preparing students to think critically, to act ethically and to communicate effectively. They were recently named as one of the “Top Ten” journalism programs in the country by the Radio Television Digital News Association. Check out the website at jour.umt.edu.

This news release is also online at:http://bit.ly/1nADY6G