Award-Winning Documentary Director, Chad A. Stevens, Speaks At J-School

Chad A. Stevens, director of the documentary “Overburden,” tried out two other titles for his film before settling on the third. Appropriately, Stevens’ presentation at the UM School of Journalism on Wednesday, February 24th, also came with three potential titles: “The Life, Death & Afterlife of a Documentary,” “How in the World did I Survive this Thing?” and “Thank God for Talented Friends and Box Wine.”

“Overburden” played at the Wilma Theater as part of the 2016 Big Sky Documentary Film Festival later that same day. The film follows two women in the heart of Appalachian coal country and their fight to save Coal River Mountain from the Massey Energy Company after an underground fire kills 29 miners.

Stevens said the first iteration of this project began while he was working on his master’s thesis at Ohio University. However, his moment of inspiration began several years earlier, in 2003, during his time as a photojournalist-in-residence at Western Kentucky University. One day, Stevens and a friend were driving through the hills when they crested a ridge and Stevens got his first look at a mountain top removal site. “There was a shocking amount of destruction,” he said.

Chad A. Stevens speaks to the audience a screening of “Overburden” in Boulder, Colorado.
Chad A. Stevens speaks to the audience a screening of “Overburden” in Boulder, Colorado. Photo by Erin Hull.

Originally Stevens focused on the environmental aspects of coal mining. He photographed events at the Mountain Justice summer convergence and followed the activists who chained themselves to bulldozers at the top of Coal River Mountain. Yet Stevens realized that this story lacked the intimacy to connect with a broader audience. He looked to the valley where people lived right below the mining sites, whose blasts shook their homes’ foundations.

“I started to have this idea that maybe it could be more,” Stevens said. “I was like, 100% heart. I have to do this no matter what.”

It took Stevens about two years to gain the trust of one of his main characters, Lorelei Scarbro, who had seen plenty of journalists disappear after getting their pictures and quotes from the community. Yet Stevens referred to time as a gift and said it allowed him to understand what mattered most to Scarbro and her battle against coal.

“I was so damn stubborn and wouldn’t leave,” Stevens said, and his patience paid off. “To be there when her grandson was born—that never would’ve never happened without that time.”

One of the project’s major turning points came on April 5th, 2010, when a methane leak and an errant spark caused an explosion in the nearby Upper Big Branch mine.

“As you can imagine, that deeply impacted the community,” Stevens said. “And of course, it changed the film as well.”

A second main character emerged—a pro-coal activist whose brother died in the explosion and spurred her to join Scarbro’s fight.

Stevens also realized that the film’s central theme switched from an environmental perspective to more economy-based story, which explored how extraction-based economies limit local communities.

During the production process, Stevens licensed some of his footage and sold it to organizations that were working on tangential stories, as long as he knew they wouldn’t overlap with “Overburden.”

“I actually paid an editor to edit my film because I felt too close to it,” Stevens said.

Looking back on this ten-year project, Stevens reminded the room full of UM Journalism students about the importance of reaching out to others for help and the importance of remaining humble, because “it’s always bigger than just us.”

Stevens also spoke of the potential that comes from “opportunity blindness.” He said, “When you first start off, there’s no way to know what doors will open down the road. You just got to put it out there.”

While funding such projects remains a challenge for today’s journalists, one of Stevens’ teachers once told him, “Sometimes you do what you gotta do to feed your belly. And sometimes you do what you gotta do to feed your soul.”

Now a tenured professor at the School of Journalism and Mass Communication at the University of North Carolina in Chapel Hill, Stevens has his own mantra for students to learn.

“It’s all about collaboration and community,” Stevens said. “When we care, we as the story-tellers care, that care transfers.”

 

“Overburden” is currently available for rent on iTunes, Amazon, Google Play and Vudu. Check the film’s website or follow its Facebook or Twitter accounts for details about upcoming screenings.

To learn more about UM J-school affiliates reporting on coal communities in Montana, check out second-year graduate student, Andrew Graham’s contributions to National Geographic’s blog The Great Energy Challenge, and adjunct professor, Matthew Frank’s publications on Mountain West News.

By Jana Wiegand

Student Profile: Joe Lesar, Master Behind The Camera & Devoted Runner

Senior broadcast major, Joe Lesar, could have graduated in the fall, but he didn’t want to pass up all the great opportunities the J-school offered in the spring semester. During Fall 2015, Lesar took UM News, where the students produced weekly televised and online stories. As a photographer, Lesar not only supported his reporters, but also produced some of his own “one-man-band” segments for the program.

Joe Lesar in the end zone during the Griz v. NAU, September 2015. Photo by Peter Riley.
Joe Lesar in the end zone during the Griz v. NAU, September 2015. Photo by Peter Riley.

Every spring, the J-school offers an upper-level elective called Student Documentary, where the students produce an hour-long documentary for Montana PBS. Lesar wanted to experiment with different forms of narrative story-telling; plus, when he realized that most of his cohorts from UM News were feeding into Student Doc, Lesar said, “We worked so well together, I would’ve felt left out if I didn’t do Doc with them.”

Spring 2016 also marked the last semester when Lesar could compete as at student athlete at UM. Lesar ran track at McQueen High School in his hometown of Reno, Nevada, and he wanted to finish his collegiate career as a runner on a strong note. While Track & Field is Lesar’s strongest sport (notably the 400m, 800m and Triple Jump), he also joined the Cross Country team, where the standard men’s 8K race stretches 10 times farther than his longest track event.

However, sports provided an important entryway into another avenue of journalism for Lesar. One day, he was walking through the Adams Center and happened to run into the director of Griz Vision, Abe Kurien. From a simple conversation about shared July birthdays, Lesar landed a job as a videographer for Griz games—football, basketball and volleyball.

Kurien told Lesar, “Come in and check it out, shadow us at some games, and if you’re interested, come back and we’ll have a job for you.”

Now Lesar’s on his second season shooting with Griz Vision and he runs a floor camera right under the basketball hoop. His ability to know what shots Kurien wants covered, without receiving direction via earpiece, means that Kurien can depend on Lesar to get the job done well.

“Joe, in particular, having already anticipated that shot, means so much,” Kurien said. “Because he knows what’s coming during the plays.”

By now, Lesar considers it second nature.

“You just follow the ball,” he said. “If someone scores, you zoom in on them and get the Hero Shot.”

This work can become more challenging during home Griz games in football season because of the variable weather conditions. Yet fellow J-school senior, Peter Riley, who also works for Griz Vision, said, “It’s a great way for the Journalism community to be involved with the greater campus community.”

“I’m getting paid to go to the home games and be on the ground, with all the action,” Riley added. “That’s a nice reward.”

Lesar agrees that he enjoys being close to the action and seeing the interactions between coaches, players and referees. During basketball games, “The coaches get super-animated, and they scream a lot, which is pretty entertaining,” Lesar said. “I always keep an eye on them.”

Kurien said that Griz Vision is an excellent opportunity for broadcast journalism students to work hands on with the cameras. He added, “Joe, I think, enjoys what he does and wants to be a part of every game.”

Scheduled to graduate in Spring 2016, Lesar hopes to stay in Missoula for a while and keep working for Griz Vision, while looking for jobs at local news stations. “I don’t see myself going home,” Lesar said. “There are so many opportunities from here.”

Learn more about J-school student experiences with Griz Vision here, as documented by Sojin Josephson, sports reporter for the Montana Kaimin.

Further interest and inquiries about Griz Vision can be directed to Abe Kurien, via email, agkurien@gmail.com, or via phone, at 406-207-6370.

By Jana Wiegand

Student Spotlight: David Detrick, Journalist & Entrepreneur

Ten years ago, if you asked UM Senior David Detrick what he would be doing today, he might have still pictured himself writing, but with his words grounded in music rather than in the news. He played with bands in Los Angeles, California before moving back home to Seattle, Washington. Detrick founded his own band in Seattle called Saving Arcadia, and he wrote all of the lyrics to the Green Day and NOFX style songs.

Detrick got his first taste of journalism at the South Puget Sound Community College (SPSCC) in Olympia, WA. He had been majoring in Political Science when he started working at the school’s paper The Sounds as a reporter and writer. The more he learned about the political system, the more he realized that wasn’t his dream career. “I don’t want to work for these people,” he said. “I want to expose these people.”

Detrick sports a Griz Lee hat and gets ready for a Griz basketball game on December 22nd, 2015, as part of Griz Vision.
Detrick sports a Griz Lee hat and gets ready for a Griz basketball game on December 22nd, 2015, as part of Griz Vision.

With his newfound passion for journalism, Detrick had his eyes set on the School of Journalism at the University of Montana. His acceptance to the program also came with a Western Undergraduate Exchange Scholarship, based on his academic success at SPSCC.

The outdoor photography and sports journalism opportunities, ever popular in Montana media, aligned perfectly with Detrick’s interests. On February 11th, 2015, the Montana Kaimin published a feature-length piece that he wrote about a UM alumni football player who got signed to the Seattle Seahawks.

This past year Detrick photographed Griz football games and also filmed Griz and Lady Griz basketball games as part of a program called Griz Vision, which gives students professional experience with broadcasting sports live.

“It’s a lot of fun,” Detrick said. “I like being behind the camera.”

Outside of academics, Detrick started his own business in 2015 called Griz Lee, which he called “a Montana inspired clothing line with an attitude for anyone with a sense of humor to enjoy.” Around campus, most students are familiar with the Griz Lee logo, featuring Bruce Lee’s head on top of the body of a grizzly bear doing Kung Fu. Detrick gets a real sense of pride when he sees Griz Lee stickers slapped onto water bottles or laptops.

“Ever since I was a kid, I’d come up with T-shirt ideas, crazy ideas,” Detrick said, “But I never did anything about them.”

Yet he was determined to follow through this time around. Detrick pitched his product to the University Center Bookstore, and now says Griz Lee items sell out faster than they get re-ordered. Detrick has also spread his business around Missoula, thanks to social media platforms like Instagram and Facebook, as well as word-of-mouth. Now he’s answering orders from people as far away as Tennessee, which he suspects has to do with the Memphis Grizzlies, a professional basketball team.

In April 2015, Detrick won the Dean’s Award for his outstanding performance in Journalism. As a senior this year, he’s only been taking Journalism classes, and he knows that more doors open as he continues to gain experience—not just for him, but also his nearly four-year-old son.

“The sky’s the limit now,” Detrick said.

By Jana Wiegand