Nick Ut Reflects On His Career: From Hell To Hollywood

When airplanes flew low over Nick Ut’s home in Los Angeles, California, his house shook and reminded him of the Vietnam War. Born in Long An, Vietnam, Ut started working for the Associated Press (AP) when he was 16 years old, following in the footsteps of his older brother who had recently died while on assignment in 1965. Ut inherited his brother’s cameras and taught himself photography by working in the AP’s darkroom and shooting protests in Saigon.

His editors’ quickly recognized Ut’s skill and sent him into the field to cover the Vietnam War. Ut’s brother’s voice echoed in his head. “I make a picture for you, my brother, to change the war,” Ut said.

Nick Ut checks the screen as his photos scroll by in front of a large audience at the University of Montana. Photo by Alyssa Rabil.

Ut spoke at the University of Montana on March 9, as part of the 100-year anniversary of the Pulitzer Prize and to celebrate his 50 years working for the AP. In 1973, just 21 years old, Ut won the Pulitzer Prize for Spot News Photography. He called the picture “The Terror of War,” but others referred to it as “The Napalm Girl.” Dean of the School of Journalism, Larry Abramson, walked past that picture dozens of times, printed on flyers, in the weeks leading up to Ut’s visit. “Even on the Xerox copy, I’d stop and see something new every day,” Abramson said.

The picture features children running down a road in Trang Bang, Vietnam after a napalm attack on the village. The “Napalm Girl” was Phan Thj Kim Phuc, who ran away from the village, arms outstretched and completely naked. Ut shot several frames of her and the other children fleeing before he understood how badly Phuc had been burned by the attack.

“I saw skin coming off her body,” Ut said. “And I thought, oh my God, I don’t want her to die.”

Ut set his cameras aside and started dumping water on Phuc to try and help her. However, he knew that Phuc and the other children needed professional help, so he transported them in the AP van to the nearest hospital. Since then, Ut said, “I keep looking to help the children.”

He’s sent food and clothing to families in Vietnam impacted by the use of Agent Orange, and he’s kept track of Phuc since the day of the attack on June 8th, 1972. Phuc began to refer to Ut as “Uncle Nick” over the years, as he continued to photograph her skin’s recovery and support her as a current U.N. Goodwill Ambassador. Thanks to Ut’s photos, the two have also spoken to media around the world about the cruelties of war. Ut said, “We met the Queen of England, me and her.”

Sally Stapelton alerted faculty to Ut’s upcoming birthday. J-school faculty and students celebrated with him after class. Photo by Brontë Wittpenn.

Pollner Professor, Sally Stapleton, and Ut’s friend from their shared time at the AP, said, “He takes ‘No means nothing’ better than anyone I know.”

Ut said he’s “always with camera” to be prepared for unexpected stories. In contrast to his time covering war stories, Ut said, “I tell you, Hollywood, it’s a lot of fun.” Now based in Los Angeles, Ut’s shot court cases involving Michael Jackson, Lindsay Lohan and Paris Hilton. He also captured the “Super Blood Moon” of 2015 and unexpected L.A.P.D. street arrests.

For the UM journalism students in the audience, Ut said the key to a great photo evolves from four elements: keep moving, try different angles, keep shooting and capture different emotions.

The next pressing assignment for Ut will be covering Nancy Reagan’s funeral Friday, March 12th.

Stay up-to-date with Ut’s work by following his Twitter and Instagram accounts.

by Jana Wiegand

Photojournalism students learn the reality of freelancing

Journalism school students and others received a crash course in how to run a photography business, when Judy Herrmann, past president of the trade association American Society of Media Photographers (ASMP), spoke to a large crowd Wednesday evening.

Close up of Judy Herrmann speaking to students and faculty
Judy Herrmann spoke to budding photojournalists and told them how to make it in the business. Photo by Katy Spence.

Although with a show of hands the vast majority of the audience identified themselves as aspiring photojournalists, that didn’t stop Herrmann from starting her talk with a dose of industry reality. “As much as all of you that raised your hand for photojournalism are thinking ‘I’m getting a staff job,’ you’re probably not,” she said.

Given the changing nature of the business, with staff jobs disappearing but opportunities for self employment increasing, Herrmann said it’s likely most people in the audience will at some point start their own photography business. She then proceeded to give a highly practical, nuts and bolts seminar on how to do so.

She began at the first step and covered most aspects of running a freelance businesses. Throughout her talk, Herrmann emphasized the benefits of speaking with and hiring professionals for business advice, from accountants to lawyers. “Photographers are not lawyers,” she said, “as much as some of them would like to think they are.”

Judy Herrmann speaks to students and faculty in large lecture hall.
Photo by Katy Spence.

Herrmann, who has won numerous awards for her own business, Herrmann + Starke, brought years of experience to the topic. She is aware of the hidden pitfalls that await freelancers starting out; bad contracts, unforeseen disasters like equipment theft (for which she recommends a careful choice in insurance), and losing control and copyright of your own work.

Erik Petersen, an adjunct photojournalism professor and long time freelancer, weighed in on her advice. “The material she covered,” he said, “is essential to anyone wanting to run a successful freelance photography business.”

At the core of her message was the importance of being a professional. By conveying professionalism at the beginning of a client relationship a freelancer ensures they’ll receive professionalism, and a fair deal, in return, Herrmann said.

By Andrew Graham